Blade
Wendy Walker
Thomas & Mercer
February 2026
Blade by Wendy Walker takes readers into the world of figure skating intertwined with a murder mystery. Drawing on her own experience as a teenage figure skater, Wendy Walker vividly brings the rink to life showing readers how the figure skating competitions are toxic with the pursuit of perfection.
The plot has former Olympic figure skating hopeful Ana Robbins, now a successful defense attorney, returning to the Palace, an elite skater’s facility. She becomes the defense attorney for Grace Montgomery, who is accused of murdering the assistant coach, Emile Dresiér. Despite her claims of innocence, all evidence points squarely at Grace’s guilt, and she’s days away from facing charges of first-degree murder.
The chapters alternate between the past, Ana’s time as a skater at The Palace, and the present as a defense attorney. Ana’s investigation dredges up childhood memories of her own, triggering the fear that permeates this place where she once lived and trained under coach Dawn Sumner. She and three others became known as “The Orphans,” because they didn’t have parental support to help with Dawn’s sometimes cruel fear training. Ana and the other “Orphans” were each driven to the breaking point in pursuit of being the best and earning the praise of their coach, Dawn.
This is a relevant read since next month the winter Olympics begin. Readers who watch the Olympics will be able to understand what goes on behind the scenes. In this story, what evolves is a dark web of suspense, exploitation, abuse, and shock.
Elise Cooper: Idea for the story?
Wendy Walker: Years ago, I was a competitive figure skater. I tried to craft a thriller with this sport. The plot is completely fictional. There is a forward story and backward story of 14 years ago. The focus of the story is not skaters attacking other skating but the pressure of the competition and how coaches misused the girls.
EC: What is true in the story about figure skating?
WW: There are four girls who are orphans living in a dormitory. There is also the rink, the competitions, some aspects of the skater mother’s, the Bleacher Bees, the way it feels to do the jumps, the Triple Axel, the take offs and landings, and how much they train. I did do research and speak with those more current in the figure skating world because my experience was forty years ago.
EC: What about the Orphans?
WW: They have this shared experience, so they forged close friendships. There were also other relationships and other people who are not trustworthy and are super competitive a la the Tanya Harding story from years ago. They developed this family structure, similar to the story The Outsiders, because they were missing parents. Joleen is the advisor, the more nurturing maternal figure. Kayla is the tough one, the stronger parent. Indy is the older sibling to Ana and the one who can best succeed. Ana is the lonely one, the youngest, and the most naïve.
EC: The setting of The Palace?
WW: There are a lot of people coming and going that can be an isolating experience as it was for me. I trained for three years, when I was 13 to 16 years old. I lived in a dormitory and only went home for the holidays and a week for the summer. The weather became an issue for me since I rode my bike to school. I felt so helpless because I was too young to have a car and did not have the emotional maturity to navigate that world. It was a free for all for me.
EC: Are the Bleacher Bees stage moms?
WW: Yes. My parents were not like the Bleacher Bees but there were some that were definitely there. Some moms were moms who were helpful and kind to me and others who did not have a family there. I think Indy’s mom was a real stage mom obsessed with making nationals and the Olympics. Indy’s mom lived vicariously through Indy. She went to the Olympics but never won a medal. She put everything into their child’s skating. They start to have the dream of their child.
EC: How would you describe the coach, Dawn?
WW: She wanted the ice skaters to be fearful of her and to have them strive for her acceptance. Winning becomes the entire self-identity of the skater, although it was not my training. Dawn has the philosophy that the skaters need to worship the coach and to please the coach. The fear of displeasing her is the greatest fear they have, more than falling or getting hurt. She was like an abusive spouse who gives love and affection at times while other times abuse.
EC: The philosophy was fear turns into rage, rage turns into action, and they should fight instead of fleeing or freezing. Did you get this from Yoda’s philosophy of fear leads to anger, anger leads to hate, hate leads to suffering?
WW: No. I wanted to have a psychological phrase for the book. I thought about how much fear is involved in competitive skating where someone’s performance on that day is all that matters. If their brain is seized by the fear the jumps are hard to complete. They have to hurl themselves high into the air, pulling their legs in to get as many rotations as possible, and usually they will fall the first time they try. The fall hurts and skaters have to overcome that when practicing. They had to conquer the fear. There were girls that had huge bruises as Indy had in the story.
EC: How would you describe Grace, the one accused of killing?
WW: She can be impulsive, disturbed, rageful, with anti-social behavior. She has a high IQ. She is an enigma throughout most of the story.
EC: The victim Emile, can be described as?
WW: He is damaged, manipulative, a betrayer, a tattle-teller, and enjoys making the girls feel worthless. There is something sociopathic about him. He operates in the shadows. He suffered a knee injury as a skater because of Dawn’s training and became bitter. He has no empathy for these girls and finds enjoyment by interfering in their lives.
EC: Next book?
WW: It is set in wealthy suburbia. There is a love triangle that goes between the present and the past that involves a murder. The girl is part of a wealthy community and the boy is from the other side of the tracks. A little of West Side Story like. No title yet, and it will probably come out in 2027.
I am also writing another audible first novel next year. It is stand alone. It has a unique format, similar to The Room Next Door. It is a full-length novel with sound effects, music, and seamless narration with a full cast of characters that has a performer saying the lines.
THANK YOU!!
