Beth Is Dead
Katie Bernet
Sarah Barley Books / Simon & Schuster
January 6th, 2026
Beth Is Dead by Katie Bernet takes the Little Women story by Louisa May Alcott and turns it on its head. Readers who loved this timely classic will be intrigued how Bernet takes Beth’s death and turns it into a murder mystery, puts the characters in the modern day, and has many twists with many people of interest. Although it is listed as a YA book, adult readers will also find it enjoyable, gripping, and riveting.
Beloved character Beth March is found dead in the woods on New Year’s Day. As the suspects pile up people are wondering if the March sisters’ father could have killed Beth. After all, he dragged the March sisters into the spotlight with his controversial bestseller about his own daughters’ lives.
The sisters’ lives have been turned upside down with all the publicity causing them to doubt and question themselves. With Beth it goes even farther because she feels the need to prove self-worth. In the dad’s book he has Beth die in a car accident and noted that she had to be the sister to die because Beth seems to be the one who made an imprint on the readers and the characters in the story.
This is a who done it with the sisters trying to find the killer along with the detectives who seem to have tunnel vision. The story is narrated by the four sisters, Meg, Jo, Amy, and in flashbacks by Beth. Grief and loss have the characters re-evaluating their life, their relationships with each other, and their relationship with Beth.
For those who loved Little Women people will still be able to see the framework of the original characters, yet Bernet adds dimension to those supporting characters who did not have much page time in the original. Anyone who loved the sisters in Little Women will be riveted to their seat as they turn the pages to find out who killed Beth and why.
Elise Cooper: How did you get the idea for the story?
Katie Bernet: I wrote a love-hate list. On one side I wrote all the things I love and the other side on everything I hate. I pulled out a bunch of different combinations with Little Women and mystery thrillers one of those combinations. Then I remembered when I was in first grade at a sleep over my best friend’s older sister was watching a movie, Little Women. She was crying and told me, ‘Beth just died.’ This was my first impression of Little Women.
EC: What do you think Alcott’s style was and how did that play in your book?
KB: I modernized the story because I did not want it to have that old English feel to it. I wanted to explore how would these characters be in modern day. I think Jo would thrive today. In Little Women Louissa May Alcott had social issues of women’s rights with emphasis on moral lessons and personal growth. The story had spirituality and religion which I did not really keep. She liked to highlight women’s strengths, resilience, ambition, growing up, and familial bonds, which I hoped I did in this book because that is what I loved about Little Women with each sister having different forms of strength. Both books are about sisterhood and family.
EC: Why did you kill Beth?
KB: I am a huge fan of Little Women because I am one of three sisters and a huge fan of mystery thrillers. I had fun thinking about how these sisters would act in this situation having Beth killed instead of dying from illness. I thought how impactful it is to lose a sister and, in my book, I had Beth die in chapter one.
EC: Describe Meg the older sister?
KB: In both books Meg has a desire for luxury, longing for security and stability. She wants a safe and loving home. She is torn between wanting simple values and a comfortable life. She is mother-like, protective, conscientious, and smart. The only difference between the books is that in my story she pursues wealth, not through marriage, but through schooling. I have her going to Harvard and wanting to become a doctor.
EC: How would you describe Jo?
KB: In both books she is resistant to romantic relationships, does not want to lose her independence, wants a close bond with her family, and is driven by wanting to be a successful writer. Jo is adventurous, daring, blunt, has a temper, impulsive, and brave. She is a tomboy and most like her dad.
EC: How would you describe the youngest sister, Amy?
KB: She is a very unlikable sister. She pursues artistic excellence. Amy wants to be a part of high society. In both books she is spoiled and selfish, a rebel, and reckless.
EC: What about Beth?
KB: Kind, always wants to please, wants to become a pianist, and wants to stay close to her family. In both books she is mostly bashful, shy, quiet, cautious, timid, optimistic, selfless, and sweet. Beth is a good observer, listener, and is reserved. She sees mostly good in everyone except for a few characters in my book who become people of interest in her killing.
EC: What about Laurie, Jo’s best friend?
KB: In both books he is bashful, easy temper, brother-like to most of the girls, although not Amy, generous, witty, and can be sly.
EC: What about the dad?
KB: He shuts people out. He is ignorant, abandoned the family, seems uncaring, negative, irresponsible, and self-centered. This description fits my story but not the original Little Women. He is a character who I changed the most. In the original he left his family for altruistic reasons but something about that seemed a little selfish to me. I took that and ran with it.
EC: Did the mother play a role?
KB: Yes. She is honorable, caring, and knows her daughters. In my version she is drained out by Beth’s death. In the original version she is so strong. But I questioned that and wanted to show her vulnerability and weakness.
EC: What about Henry?
KB: He was Beth’s first boyfriend who is humble, tough, and a computer expert. This is accurate for my story because in the original he was not much of a character.
EC: What was the role of the dad’s book?
KB: He gets criticism for exploiting his daughters. He made Beth question herself, made her perfect, sensitive, and not ambitious. He writes Amy as a party-girl, someone who is jealous of the other sisters, sick of being in their shadows, melodramatic, selfish, and vain. Meg in his story is clever, caring, materialistic, and status-seeking. Jo was made to be quick-tempered, lonely, and the brave hero. He makes each of them the stereotypes they are in the original.
EC: How does the relationship and dynamics between the sisters play into the mystery?
KB: It makes it easy for them to suspect each other. Their differences make them suspicious of one another. They can suspect and blame each other but then turn a 180 and still support and love each other. In the original version Beth dies from complications of scarlet fever, so they had time to accept the fact she was going to die, while in this story it comes as a shock. This is why the sisters have so much anger and blame in my story.
EC: Do you think the detectives had tunnel vision?
KB: They did take the motives without having much evidence. I wanted the main detective to not really understand Jo and has a bias against her.
EC: Is Beth in the middle of everyone’s secrets?
KB: Beth is at the center of everyone’s secrets. I think her character in the original story has her more of an observer and quiet. In the original there is a quote that I am paraphrasing, “Many Beths sitting in corners waiting until people need them.” She goes unnoticed and can pick up on things others cannot.
EC: What is the point of the male boyfriends?
KB: Amy has Laurie as her first love. Jo has turned down Laurie’s desire to be more than friends. Romance is a bother for her because she wants to concentrate on her writing career. His absence makes her see that she cares about other things more. The point of John’s character is to show how Meg struggles to want to make something of herself, but at the same time is falling in love with John. He is a piano instructor who is not pursuing a big fancy career. Henry helps Beth reflect on what type of character she was in her dad’s book. He is part of Beth’s rebellion.
EC: Next book?
KB: I am working on another retelling of a literary classic as a mystery thriller.
THANK YOU!!
